Founded in 1991, KowTeff has researched, taught and performed African Diaspora Dance throughout the Tri-State region and abroad. Co Founder and Artistic Director Sewaa Codrington has over three decades of training and study with internationally recognized master traditional artists and African griot families. KowTeff has educated and entertained thousands of audience members with free classes and community based performances in underserved communities such as Brownsville, Crown Heights, East Flatbush, and Bedford Stuyvesant. The company has been invited to present on academic panels for the Brooklyn Arts Council and to conduct workshops for the Department of Culture in St. Kitts. Today KowTeff is a duly incorporated 501(c)(3) nonprofit organization engaging capacity building efforts to secure philanthropic support and strengthen infrastructure so that its work can continue into the future.
The KowTeff School of African Dance is a non-profit organization with the mission of preserving and perpetuating the diverse folklore of African peoples through quality education and entertainment. The KowTeff School of African Dance artistically and creatively uses dance, music (song and drum), and the spoken word to keep alive the cultural values, principles, and customs of African tradition. We are committed to excellence and integrity in the training of dancers and musicians, the dissemination of knowledge related to African, Caribbean, and African American history and cultural art forms, the delivery of performances that celebrate such art forms, and the development of community-based programs that utilize the cultural arts to uplift people of African descent.
The KowTeff School of African Dance ultimately strives to empower people of African descent by providing inspiring opportunities for them to celebrate and gain knowledge of their rich African heritage, develop a positive cultural identity and self-pride, and reclaim traditional African values and customs that promote healthy development of body, mind, spirit, and community.
Support KowTeff School of African Dance.
Your generous donation will help fund our mission.
Join KowTeff in preserving and perpetuating the diverse culture and folklore of the African Diaspora! Your support will enable this important work to continue, which is critical in instilling a sense of pride and strong, positive identity. Help lay a solid foundation from which individuals, families, communities, and future generations can thrive.
Your donation will also assist KowTeff in maintaining the highest quality of “edutainment” and ensuring that it is accessible to all. With your support, the African cultural arts can continue to be used as a tool to develop youth, communities, and the careers of professional and aspiring artists. KowTeff School of African Dance is a 501(c)(3) not-for-profit organization.
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Afua Sewaa Codrington has studied ballet, toe dance, tap, modern, and ethnic from the age of seven. Since 1977, she has studied the folkloric African dance of the Old Mali Empire under the wings of such master dance artists as Hazel Starks Bryant, Chuck Davis, Ladji Camara, Irizak Razala, Tako Sissokho, Marie Basse Wiles, Souleyman Diop, Babacar Niang, Assane Konte, and Ibrahima Camara, to name just a few. Brooklyn born, Sewaa's professional dance performances have taken her throughout the United States and the world with such companies as Afro-American Folkloric and Historical Society, International African American Ballet, Sabar-Ak-Ru-Afrique, Kairaba West African Dance Company, Africa in Motion, and presently as co-founder and director of KowTeff African Dance Company. It was her extensive studies throughout the Sene-Gambia region of West Africa under the tutelage of members of the National Ballet of Senegal during 1986-1988 that solidified her experience and love for African arts and culture.
With over thirty years of experience with traditional African dance, Sewaa has developed multifarious expertise as a teacher, profesional performer, and historian of the art form. However, Sewaa’s forteit and greatest love is choreography. Her goal as a choreographer is to preserve the purity of African dance while creating for the stage dynamic, electrifying pieces as they relate to the social and historical context of their origins. Sewaa’s creative process includes an examination of traditional movement, inquiry into the science of the related music, as well as study and design of costumes based on of the traditional attire worn for the specific occasion. She undertakes an extensive amount of research in the U.S. and West Africa in order to choreograph in a manner by which audiences are left with a vivid understanding of traditional African lifestyle while experiencing quality entertainment.
Sewaa's expertise as a choreographer of West African folklore has been an important contribution in the preservation and perpetuation of the culture of African people. In addition to her work as a choreographer for a professional dance company, she has given many hours teaching and choreographing dances in the U.S. public school system and in St. Kitts, West Indies where she was commissioned by the St. Kitts Department of Culture. Furthermore, the New York City Department Of Education has benefited from over thirty years of Sewaa’s service at her additional forteit as a behavior modification specialist. It is through the members of the community, especially her students in the schools, that her life's work is perpetuated and passed down to the next generation.
Najja was born into a family that is deeply rooted in both African and African-Caribbean culture. At the age of 10, under the guidance of Obara Wali Rahman, he received his first formal training of the Sabar orchestra as a member of Sabar Ak-Ru-Afrique. Najja’s studies encompass music and dance from both the Caribbean and West Africa. Najja has traveled abroad to Senegal, West Africa where he studied under the tutelage of the Drame/Diabate griot family. As a result, he was exposed to an extensive amount of lore. As Najja has studied African dance and drumming intensively for the past five years, several people have contributed to his learning, such as Sewaa Codrington, Aissatou Diop, Wilhemina Taylor, Gregory Ince, Karim Braithway, Kissima Diabate, and Souleyman Diop, to name just a few. Currently, Najja is involved in many cultural activities such as Cultural Youth International’s Brooklyn Jumbies, Adlib Steel Pan Orchestra KowTeff African Dance Company, Bakh Yaye and A Touch of Folklore and more.
Najja firmly believes that the cultural arts are not merely an economic tool. It is an inherent part of his spirit, which is a dominant driving force. It is with this driving force that he unselfishly mentors youth, instilling discipline, direction and pride. He also gives special thanks and praise to his mother because he would not be who he is today if it were not for her. Najja brings high-spirited energy to all groups that he embraces.
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The 30th anniversary logo encapsulates much of what the KowTeff legacy is all about. It’s a uniquely constructed patchwork of vintage KowTeff images, which tells the story of a Brooklyn-based cultural arts institution that has survived three decades. The design is a vibrant historical quilt of KowTeff dancers, drummers, and moko jumbie / chakaba (stilt dancers) in action, laced with references to the institution’s origins.
It merges rich detail – an essential ingredient of the company’s research-based choreography, costuming and programming – with blurred images that are symbolic of the generations of families that have blended into one cultural arts institution. The conglomeration of images represents the unity of the “KowTeff Family”, which has been cultivated and strengthened over the past 30 years. The bright, colorful patchwork of images is reminiscent of the clothing of the Baye Fall of Senegal, where KowTeff’s name originates. The 30 th anniversary logo was designed by artist and long-time KowTeff company member, Konate Primus, who has shared the stage with many of the artists depicted. It was inspired by his rich memories of the communities served and the lives touched by KowTeff.
A people without the knowledge of their past history, origin and culture is like a tree without roots. ~ Marcus Garvey.
Support KowTeff School of African Dance.
Your generous donation will help fund our mission.
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